Here, you’ll find yourself caught up in pages of a stranger’s journal, poetry both brutal and sweet, short film collections and discarded interviews. Conversations with bands, tour diaries, meandering essays… a thousand-plus entries from youth, in a digital bubble.
Scrolling through here should feel like stumbling through a strangers bedroom - exposed to things both achingly familiar and bittersweet. Hopefully, you can find a bit of yourself somewhere in all this, too.
Jacob Allen — better known as Puma Blue — finds light amongst life’s darkest moments with his poignant lyrics and ethereal soundscapes, enveloping the listener in an auditory dreamscape. In his release of ‘In Praise of Shadows,’ Allen marries delicate guitar riffs with airy beats, creating a sound honest to his current self. Pure Nowhere had the opportunity to chat with Jacob over a Zoom call, where we discussed the importance of vulnerability and the moments behind his debut album. His responses were imbued with the same poeticism and authenticity found in his music.
Musician Half Mood Bay explores what it means to navigate transitional periods of life as a young black artist, while finding a soul’s purpose through challenges. A year later, this EP has manifested itself into a filmic journey that works to translate these experiences of love and life through the lens of reincarnation.
“I was looking at a photo yesterday of me drinking a pilsner at 10am in Prague, so that’s the first moment that comes to mind when I think of feeling free. More than anything I want to be able to dance in a room full of people again.”
“Ideas have been running dry, I usually write about things going on in my life but nothing is happening right now. I try to force it, but I just can’t write anything that sticks.”
“Playing for an invisible audience feels lonely but also intimate in a way that could never exist outside of my bedroom - weird to think about how many people I’ve invited to see the mess on my bed or the view from my window… I’m pretty delusional about it all.”
“There are struggles, inner, and outer, there are love birds, here and there, there is wind air all around. It's all beautiful, it's all random, it's all unique, it's all my personal human experience.”
“I ate my birthday cake in one sitting and didn’t share it—it was a tiny gourmet one from my grandma. I have no regrets.”
“I had a dream last night that the boys and I were on the roller coaster goliath at six flags. I tried to channel that feeling into vibes on a demo… we’ll see how that turns out.”
“What I will take from this is the reminder that there are infinite ways to be. The way that society is set up obviously has so many flaws, and that's a beautiful reminder to live innovatively.”
“When you're not around people and not able to go places, it’s hard to create like normal. It’s been making me look inward - maybe too much, to the point of overthinking… but, that makes the work really honest I guess!”
“I feel like I’m learning how to be an adult in this choked version of our world. I also started a fan cult on Instagram - come join my megachurch, all are welcome.”
“The first part of quarantine was fun because I made an entire emo trap EP.”
“I do love that people can get intimate experiences with their musicians of choice now. I was able to watch Patti Smith live stream with her daughter and it felt like a personal FaceTime.”
“If things keep heading this direction we're about to become an ambient modular synth collective. JK... unless??”
At 20 years old, Fay — better known as FIG — is breaking out of the bedroom pop mold. With her undying individuality and dynamic sound, this New York singer-songwriter dances around what’s expected, bringing listeners something fresh, with an air of nostalgia. After being featured on Spotify’s “Lorem” and “Beast Meets West” playlists, Pure Nowhere chatted with FIG over a Zoom call, discussing how she brings internalized emotions and visuals to life in her music.
‘Mirror Sound’ is a visual portrait that takes a closer look at the people and processes behind self-recorded music, showcasing twenty-seven musicians including Sharon Von Etten, Laetitia Tamko (Vagabon), and the late Emitt Rhodes. Conceived by writer and musician Spencer Tweedy, graphic designer Lawrence Azerrad, and photographer Daniel Topete, the collaboration profiles a collection of musicians whose work is a sonic reflection of their innermost selves.
Bracing honesty is a consistent theme in Morgan Saint’s catalog, and her latest EP HELP is nothing short of pure, unadulterated authenticity. In a conversation with Pure Nowhere, Morgan shared her cathartic advice, discussed honesty in music, and adapting to being a musician in the age of COVID-19.
“Each track offers a gateway to a new world. An opportunity to lose yourself in the composition and float away to a utopia offered by the atmospheric audio and cohesive writing styles of Marko.”
In honour of International Women’s Day, we chat to Nora Vasconcellos and Maité Steenhoudt about their skating journeys, experiences in skateparks as women, and recent Adidas collaboration.
A conversation with Salim Garcia exploring Sci-Fi, the American Dream, Atlanta’s creative community, experimentation through mediums, and the book he lends to friends when they seem lost.
Ria interviews Harper over FaceTime, spiralling through conversations on poetry, home, angels, teenagers, and all the ways they’re one.
Dated brings sustainable fashion, community support, and ethically unique wardrobes with the newest evolution of their creative collective.
Delineating himself from his contemporaries, Colm Dillane has created a presence as opposed to an aesthetic. In this interview with Pure Nowhere, he talks about opting for opportunities as opposed to just collaboration, and what has categorized the upward trajectory Kidsuper has had since its conception.
Splüsh is unique in its tireless devotion to representing and reflecting the fluctuating needs of its consumer base. Inclusivity and accountability are the founding elements of the brand driving its escalating commitment to ethical design and production. In a chat with Pure Nowhere, sisters-turned-business-partners Alice and Julia Thomas talk about their message, community, and ethical creation.
writing shitty words on a Microsoft document pretending that someday it will matter. life is fun and boring right now in a kind of perfect way that I’ll never be satisfied with and nothing is full circle.
In a highly stylised contemporary culture, the necessity for creative people to be themselves is imperative. Whether that be with regard to fashion or an approach to the way a piece is created, what must be maintained is a sense of individuality. In an interview with Scott Cruft, Pure Nowhere hears insight into his mentality for creativity and the importance of creation for creation’s sake.
Saachi Gupta lost her grandfather to COVID-19. The hindi word ‘Chitrakala’ translates to ‘portraiture.’ It was the name of Saachi’s grandfather’s printing company, a word she always thought was beautiful.
I have washed my hands thirty-four times today but my hands are still stained with last January.
In the newest chapter of Hometown Tunes, Laura muses on the impermanence of Seattle’s music scene and offers an ode to her local bands bands and their crowds.
You’ll allow yourself, for a moment, to believe that in an accumulative sense - you found it. Or at least, you found enough.
“This is the work I do because I simply can’t do anything else. I am an artist to my core. This is what I dream about, this is what I am meant to do — create community, space, love, and opportunity through my art form.”
“I have undergone many changes within the last three months. I wished the majority of it never happened, but that is life and I need to learn how to roll with the punches.”
All the time we spend within our own mind, dreaming and planning, is time spent alone. This meditation is essential to our being. Focus on the day to day, don’t be pressured to create in a period of mourning, be wary of loud voices, and maintain a friendly relationship with your pesky memories. Stay inside, if you can. Watch more movies.
because your kisses remind me of light plums and golden chains and full mugs of all our favorite caffeinated drinks and everytime i wake up in these panics i remember why i hate january
“Maybe I want to leave in search of definition — if I find somewhere that defines itself explicitly, where natives can always describe their homes in interesting, pretty ways, I will be able to define myself too.”
This is our future. So, don’t blame us for being reckless, irresponsible and high. Life should be about living, seeking, loving, crying, being heartbroken or drinking on the rooftops at 1 a.m. We are just trying to suck out the last drops of feeling before the world runs dry. Before it’s your time to go and our time to face what you have given us.
history repeats itself. don’t you know? [by Chloe Johnston]
In the form of a multimedia photo series, I ask the question why we cannot exist like the soil, drifting back and forth across manmade borders.
athena shares a gallery of self portraits on film documenting herself & her space in isolation, musing on the ways in which photography is still exposing new feelings, even now.
The Riot Grrrl movement united women through feminist punk music, zines, and a tangible ‘fuck you’ attitude, leaving behind a scorched trail of empowering punk music and demonstration of potential to resist. In the age of social media, what does it now become?
We revisit KIDS with an in-depth interview w/ Marina, plus a full gallery of behind the scenes photos from the weekend spent chasing teens around Buenos Aires with cameras in-hand. Get lost in her world.
On the complexity of forgetting an old love, and the invisible space inside ourselves in which distorted memories remain, and we try and keep loved ones alive. Limbo. A short film.
through IKEA photo-shoots, late-night interviews, drunk thoughts and more, Emerick explores purpose in life through the perspectives of close friends — all from behind the lense of her camera.
We wound up slow dancing together many times through the years, in antiqued ballrooms and sailboat decks, under spotlights and blue moons. I danced with other girls before, to the Grease soundtrack in hopes of getting them to kiss me behind the couch – I never wanted to dance with her like that.
We are laughing, we are laughing, and now it hasn’t been funny for a while. I feel pretty cool, I feel pretty tall. I look at my legs, I don’t have any. I’m super tall, and I bet my legs should be really straight and narrow and sexy. I think I know these people, they’re tall and straight and narrow, they wear sunglasses in pitch darkness.
This isn’t a guidebook. Instead, it’s a shared experience. Grief enters everyone’s lives at some point… Let it linger, let it consume you — but never ignore it.
NEWSROOM
In a chat with 23-year-old Brianna Mims (she/her), she talks about her upbringings in Duval County, Florida, her time at the University of Southern California, and her previous and ongoing work in the world of prison abolition.
In an interview with Bri Barnett, development director of Trans Lifeline, we’re given the run-down of what Trans Lifeline is, what resources they provide for trans people, and how allies must show up for the trans community.
With examples like Vincent Van Gogh, Ernest Hemingway, and Sylvia Plath, it’s easy to see how, in art, the public perception of mental illness is that it positively affects creativity. We've created martyrs out of those struggling under mental illness, and reduced their struggles to “the creative process.”
How do all the queer kids that are becoming queer adults feel about the fragility of this right, a right that many of us have taken as a given?
Late summer brought with it a haze of political activism. Issues of domestic and international conflict were spotlighted across media platforms. The humanitarian crisis of Yemen was one among many.
International actress Priyanka Chopra and singer-songwriter Nick Jonas’s wedding, with familiar faces like Armie Hammer and Kelly Ripa in attendance, had a more surprising guest: Indian Prime Minister Modi. Chopra, who was appointed as a UN ambassador in 2010, has been vocal about her head-turning, ironic support towards the controversial leader for quite some time.
As activists, we must dedicate ourselves to reimagining the ways in which our activism can manifest itself meaningfully online.
Following the Australian government’s announcement on June 19 that university fees would be doubled for future Humanities and Social Sciences (HASS) students and would also be raised for commerce and law, Eve Watt explores what this means for Australian art students and the future generations.
It’s not the time for any white person to derail the conversation by touting how much you have struggled too. It’s time for us to listen to people of colour, but not to stay silent.
“You see how our textbook’s pages begin in the 300’s?” I flipped through and noticed that it did. “That’s because everything before that got removed by the board a few years ago.”
“Although segregation in California has seemed to diminish and de-escalate in recent times, in reality it has simply taken on a new face and manifested in different ways.” Essential reading for education & understanding of California’s darker history.
As protests in support of Black Lives Matter continue to sweep America and the entire world, take a moment to educate yourself on the history that’s lead us here - the facts, statistics, names and stories at the heart of this fight.
The dangers of performative action — and what that means for Black Lives Matter.
In the federal system, Black Americans charged with a drug offence serve an average nearly the same amount of time (58.7 months) as a White American charged with violent crime (61.7 months). And that’s just the beginning.
With fires ablaze in the fight for justice overseas, Australia is called upon to act, not just at a community level, but at a national one.
We have been asking ourselves how we can use our privilege and platform to best support and uplift the voices of our beautiful Black friends, artists, and activists. Now, as we transition back into content flow, we are committed to keeping this question at the forefront of our minds in everything we create and release to our readers.
It’s important to emphasize that there is so much more work to be done in order to make sure that we are all free. If you approach the concept of justice individually it may seem futile, but together we have the possibility to make truly substantial change.
While we are still amidst a global pandemic, not everyone is able to show up in person — but anyone can support. This fight needs to be sustained by our resources, money and energy — today, and every day after.
What is a subculture anyway, but a community turning against the status quo that failed them, and a sense of belonging?
While the protests rage on in Hong Kong, unlikely feelings have been flooding into my stream of consciousness. Of all of them, one prevails: homesickness. Seems unlikely when your hometown is falling to pieces.
A passionate essay on the current climate crisis, with quotes & thoughts from people gathered on the streets of Sydney, protesting for their lives & their planet. By Emily Elvish.
By unlearning that the cardinal rule of the movies like Legally Blonde exist solely based on “unlikely” characters and plots, we begin to unlearn how we have been taught that women can’t be nuanced.
Your fortnightly recap of events on this little planet of ours, to keep you up-to-date and informed as quickly & easily as possible.
Mother Nature is colourblind, but unfortunately, people and their governments are not.
Your fortnightly recap of events on this little planet of ours, to keep you up-to-date and informed as quickly & easily as possible.
What happens when a photographer and the girl in his candid photo meet up at a coffee shop to talk politics?
Your fortnightly recap of events on this little planet of ours, to keep you up-to-date and informed as quickly & easily as possible.
Thank you to all who came out. You made me feel like maybe we could make a difference, and without that sort of hope none of us can survive.
if you’re still looking for more…
“I realized how safe everything is. I could lie on the sidewalk outside my house all night and never be touched. I wish my fear of stagnation wouldn’t collide so well with your stillness. Maybe then I wouldn’t need to drive around at night, spilling words, to feel like I’m moving.”
— Meg Young, from “a letter to suburbia, from the shower, crying”
“I’m reclaiming my sexuality, and I’m doing it hard and fast and vibrantly. I can feel my heart blooming into something effervescent and bright. I tell flame-haired girls and golden bright boys that I love them, I’m rejected, and I heal.”
— Ria Kealey, from ‘reclaiming my sexuality’
I have washed my hands thirty-four times today but my hands are still stained with last January.
because your kisses remind me of light plums and golden chains and full mugs of all our favorite caffeinated drinks and everytime i wake up in these panics i remember why i hate january
history repeats itself. don’t you know? [by Chloe Johnston]
A month ago, we asked 50+ participants to create work relating to COVID-19 over the course of 24 hours, and then pulled our favourite lines from each one to form a collective experience through a single poem. Following the cycles of human nature and grief, this is a love letter to the people who helped create it.
the motel sign buzz of his lips down my spine
My professor said something about entropy. Everything is continuing toward chaos, or something to that extent.
It is like a scrapbook filled with people, lessons, the sad times, the good times, art that I’ve created and collected, and art that was given to me.
em glasser blurs the lines between poetry and song, photography and music.
At 18 my mom was recently married children on the way / The home that she grew up is not the same as mine / The leisure they were given has never crossed my mind.
songs to climb out your bedroom window to.
“I think it’s about colour. I told someone at a party once that I thought I got depressed in winter because of the lack of colour around me, [but] maybe I’m just creating these restrictions in my mind; maybe winter is just my excuse to feel bad and stay in my maladaptive patterns.”
— Kiara Burch, from “I don’t want to be asleep anymore”
“…we feel that we are wasting our youth / cooped up in classrooms with broken fans and broken teachers / spitting broken words / we figure we are missing out on all the fun life has to give / reading books and watching movies about parties and casual sex / yet when these things do come our way / we feel empty / hollowed out.”
— Chloe Hofrichter, from “shiny white teeth, hollowed out youth”


Jacob Allen — better known as Puma Blue — finds light amongst life’s darkest moments with his poignant lyrics and ethereal soundscapes, enveloping the listener in an auditory dreamscape. In his release of ‘In Praise of Shadows,’ Allen marries delicate guitar riffs with airy beats, creating a sound honest to his current self. Pure Nowhere had the opportunity to chat with Jacob over a Zoom call, where we discussed the importance of vulnerability and the moments behind his debut album. His responses were imbued with the same poeticism and authenticity found in his music.
Musician Half Mood Bay explores what it means to navigate transitional periods of life as a young black artist, while finding a soul’s purpose through challenges. A year later, this EP has manifested itself into a filmic journey that works to translate these experiences of love and life through the lens of reincarnation.
“Playing for an invisible audience feels lonely but also intimate in a way that could never exist outside of my bedroom - weird to think about how many people I’ve invited to see the mess on my bed or the view from my window… I’m pretty delusional about it all.”
“There are struggles, inner, and outer, there are love birds, here and there, there is wind air all around. It's all beautiful, it's all random, it's all unique, it's all my personal human experience.”
“I had a dream last night that the boys and I were on the roller coaster goliath at six flags. I tried to channel that feeling into vibes on a demo… we’ll see how that turns out.”
“I feel like I’m learning how to be an adult in this choked version of our world. I also started a fan cult on Instagram - come join my megachurch, all are welcome.”
Bracing honesty is a consistent theme in Morgan Saint’s catalog, and her latest EP HELP is nothing short of pure, unadulterated authenticity. In a conversation with Pure Nowhere, Morgan shared her cathartic advice, discussed honesty in music, and adapting to being a musician in the age of COVID-19.
“I realized that my artistry is enough of a statement itself. The joy and the feelings that went into this project are a testimony to my freedom and ability to express myself. That to me is just as relevant: Black happiness, Black contemplation, Black feelings.”
We take a peek into Remi Wolf’s camera roll, and converse about pre-show rituals, making shit up, greenrooms, and drawing inspiration from chefs and jazz musicians.
Up-and-coming rapper and singer-songwriter, Rodney Chrome, describes the title of his debut project, Queer Pressure, as “an acknowledgment of every societal pressure that queer individuals have most likely experienced.” Over twelve tracks, he dismantles these “queer pressures” over hard electronic beats produced by electronic musician underscores and himself.
Tom Verberne takes his self-described somber pop music to new heights with his sophomore album I’ll Watch You Do Anything. The blue album melds his signature melancholy hope with spinning instrumentals to create a defined sound. Liv Bjorgum sits down and chats about his previous album, growth, and more.
Australia produces a lot of amazing music, but there are very few artists out there as beloved, as irresistible as Skegss. Since their 2014 debut, the Byron Bay trio have been spinning garage rock into laid-back storytelling, capturing adolescence like no other band has before them.
In preparation for their latest EP, Acting My Age, Pure Nowhere attends a Zoom press conference hosted by the 1824 press team. Through questions and live performance, we learned more about channeling their creativity and adjusting their vision in a changing social landscape.
“I am black person from a rural community, I am a queer person in the age of the internet. I think to bridge the gaps, in any instance, it requires a human-lived experience to help it along — to make it tangible for those who are not aware. My identity is that intersection.”
Contrasting their usual indie rock image, Cars marks the opening of a newly explored depth for the band, expanding their discography in profound ways. Creating a printable worksheet, we asked the boys to answer questions in various forms - from poetry to stick figure drawings - opening up on personal aspects of this release.
Shamir shares an anthem for isolation with “On My Own”, a track that announces his return to pop and teases the new album dropping later this year. Over email, we talk introverts, DIY visuals, the evolution of his art over the past few years, butterfly motifs + more.
On the phone to Ocean Alley, we talk share-houses in Byron Bay, allowing breathing space in creativity, one unforgettable night in Budapest, the friendships that feel more like marriages, and the living-room song-writing sessions that have given way to some of Australia’s most beloved tracks.
Her new mixtape is a sweltering collage of neon mixes, delectable hooks, and gut-punching bass. But, if you listen closely, you’re thrust into a movement - weaponizing club music and re-defining a genre.
“I grew up in a household and in an area that taught me to love and value all people and all music. Music and expression is often the sum of our experiences, and through empathizing with others’ experiences, you become a more well-rounded individual and procure new lenses to view yourself through.”
“Kids … have told me, ‘your story made me feel not-weird about my experiences.’ That’s really freeing because it makes me feel not-weird, too.”
Right before the world went on lockdown and live music came to a pause, the Brooklyn band Native Sun had just wrapped up their west coast tour, accompanying White Reaper and The Aquadolls. Obviously a lot has now changed, but we caught up with them post-quarantine to reminisce over concert highlights, reunions with old friends, and tips for tour survival - plus a tour photo-diary!
What takes most bands an entire career to accomplish, Spacey Jane have achieved in a few short years. We chat to front-man Caleb Harper about their new single & upcoming debut LP, his poignant, genre-defining songwriting, driving change as an artist, and what they get up to on tour.
When I think of Florida, I almost immediately think of The Hails & the sultry pop tunes they do so well, perfect for those late summer nights. We catch up on their (cut-short) time on tour, finding sparks of creativity in isolation, the love story that was their beginning, and animal crossing. (A fair bit of animal crossing).
Let’s set the scene, shall we? Chances are, if you were to look up “wholesome” in the dictionary, Los Angeles band The Honeysticks would pop up right next to the Miriam Webster definition (maybe with a puppy photo or two).
Here’s a headline to get wrapped up in: Philadelphia Band Courier Club Launch Coronavirus Relief Festival in Minecraft. Imagine showing that to someone in 2013, right? We chat with the boys about how it came about and what an attendee can expect, wandering into their first Minecraft music festival.
“It’s similar to the way that monks dedicate their lives trying to be closer to God, trying to be closer to the image of God. That’s like us with Led Zeppelin.”
Everything we create is just a reflection of what’s happening in our real lives. I’m sure the current situation is going to change how we view the world and music. No matter what, we’re gonna keep it together.
A short conversation with English Indi-rockers Circa Waves about their new album HAPPY/SAD, the intersection between those feelings, and how to navigate the seesawing emotions of our modern world (especially as an artist).
“I guess I want our band to be there for you when the girl of your dreams asks you out, and then when she breaks up with you.” We catch up with the boys of Almost Monday, two-and-a-bit years on.
In an LA backyard in late August, against a backdrop of clouds, Kid Bloom meditates on why we make art as humans, and how he finds honesty in his own.
“A few tough and expensive lessons with unpaid rent and lease problems, and this reality quickly dissolved. Late nights, run-ins with toxic people and impulsive actions, a few bad relationships with boys I shouldn’t have let enter my life/body. I saw myself spiral, though it looked like ‘growing up’.”
— Tia Henricks, from ‘a step outside high school’.
“Do you ever wonder what yellow would sound like, resonating off a violin? Not just any yellow, the yellow that drapes a worn chair in the corner of your room, reminding you of expired sunshine in the earliest hours of the day.”
— Kyla Rain, from ‘how’s it sound?’
“Sixteen, you were in your Kurt Cobain faze. Thick eyeliner and three chocker’s stacked on top of each other, sat on your couch and exchanging stories & feelings, disappointments & daydreams. The pressures of growing up and how boys made us feel. You listened as my heart congealed and wrote me a song about how it feels to show up to a life you don’t recognise.”
— Arielle Friedman, from ‘dear samia’